For the most part, Visions, the latest album from the one-woman project that is Montreal-based musician Claire Boucher, sounds like a 1980s pop album remixed by an extremely smart modern producer. The fact that this is all the work of one person, operating under the stage name Grimes, is evidence of Boucher’s impressive skill set. Within five seconds of the start of “Infinite Love Without Fulfillment” the template has been established: programmed drums, Boucher’s voice layered and looped over itself to establish a giddy choir, and then the introduction of minimal but prominent synths.
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