Last Saturday night, refurbished movie palace The Globe Theatre came alive when synthwave artists FM-84 and The Midnight made their Los Angeles debut to a sold out crowd. It was only the second show for the double billing of 80s-inspired, cinematic synth pop acts who, as independent artists, previously sold out their debut concert in San Francisco earlier this year. Both performers and concertgoers celebrated in disbelief what they were hearing and seeing live as the nostalgia-fueled evening stretched until 2am.

Colin Bennett, also known by the moniker FM-84, came onstage as his signature neon sun lit up the stage. Vocalist Ollie Wride struck dramatic poseswihle embracing the theatricality of the music and sky-high notes in his vocal register. The crowd sang along to the soaring “Wild Ones” and ballad “Let’s Talk” but it was hit “Running in the Night” got the largest reaction.

The Midnight hinted at this Los Angeles debut performance in an interview with the LA Music Blog earlier this year and producer Tim McEwan (who calls Los Angeles home by way of Denmark) began the evening with pulsating, synth-driven instrumental tracks “Nocturnal” and “Collateral” off the pair’s recently-released third album NocturnalVocalist and lyricist Tyler Lyle, who had traveled from the east coast, joined McEwan onstage for noir-tinged city ballad “Crystalline”, fitting given the venue’s downtown locale.

Saxophonist Jesse Molloy elicited cheers every time he performed powerful, burning sax solos in the majority of The Midnight’s songs. Fans were elated to see frequent collaborator singer/songwriter Nikki Flores join the pair onstage. Flores lent her vocals to the duo’s most melodic, summer-soaked tracks “Jason” and “Light Years.” I complimented Flores backstage and she gushed, “I’m just such a big fan of their music and they couldn’t be nicer guys.”

Oftentimes, Lyle would be overpowered by the crowd as fans reveled in singing along with the nostalgia-driven anthems “Days of Thunder” and “Comeback Kid”. McEwan controlled waves of lush soundscapes while surrounded by an explosion of television screens that utilized retro visuals when their colorful laser light show wasn’t in full effect.

“Los Angeles” saw fans raise their “hands like a gospel choir” for the first time in the city that inspired the dreamy, deep cut. The Midnight may be influenced by decades-old songs, but the duo has brought that synth-filled, imagery-driven music into the present, asking,”If we live forever, let us live forever tonight”.

Flores rejoined Lyle onstage for  “Sunset” and the crowd began one last, energetic dance party before the performance came to a close and fans begged for one more song. The crowd would have to wait, however, for that encore until The Midnight’s next hometown show. Based on the thunderous sing-a-longs, euphoric cheers and merchandise flying off the shelves, they won’t be waiting long.

For more information on The Midnight:
Official Site
Official Facebook